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Tujuan pembuatan objek instalasi interaktif ini adalah untuk mengajak masyarakat dan dikembangkan dengan keyakinan bahawa peranan mereka sebagai warga menjadi sangat berkesan ketika mereka boleh menuntut ruangan awam dan membuat tindakan yang menentukan ruangan awam. Dengan memberikan estetika dalam bentuk nyata dan material pembuatan, karya seni harus diuji dengan menempatkannya secara fizikal (taman bermain) di mana kegiatan masyarakat berlangsung, dan mencadangkan strategi improvisasi hidup secara positif. Greetings and warm regards!

It is my pleasure to present you our last issue for this year, SENIKINI#9! Though the last few months have been very hectic, it had also been most satisfying. With all the programs, exhibitions and art-related activities that we have organized and participated in and out of the gallery, 2010 is de󿬁nitely a year to remember. 2010 has also been a bumper year for art sales with artworks making unprecedented record transactions at the Henry Butcher auctions amounting to RM 1.7 million. Further more, a whopping RM 11.3 million in sales was recorded at the four day 4th Art Expo Malaysia (AEM) 2010 in October. This is very much in line with the government’s call to make Malaysian contemporary art a tourism attraction with the hope of increasing the sales of local artworks. We are also 󿬁nalizing our art-related activities and exhibitions scheduled for 2011-2013.

The public can expect to see more highlights from our national collection which, after 53 years, deserves to be revealed in its full glory as our proud modern visual heritage. The collections are artistic and cultural testaments to our growth and development as a modern nation. The national collection, together with our latest acqui sitions, is also statements of what we hope to achieve as a nation in the next 50 years. We will continue to feature special exhibitions from abroad and cater to suitable requests to showcase works, events and activities. Coolsand usb driver volcano. We have lined up numerous workshops, art-talks featuring artists and special guests as well as other art-related activiti es to better serve students, visitors and art-lovers i n general.

T he public can expect to see more publications, new merchandise, products and services too. This is our new year’s resolution and commitment to you, our stakeholders and clients. In this issue, we have contributions from USM’s School of Art academician Safrizal Shahir on veteran p hotographer Ismail Hashim’ s long awaited retrospective in Penang which I had the opportunity to view. Nicole Tse from the University of Melbourne’ s Centre for Cultural Material Conservation who was here recently to conduct a workshop at NAG shares with us some important information on art conservation in Asia. Our regular contributor Ooi Kok Chuen keeps us abreast on the activities in the local art industry with his review on AEM’s outstanding commercial success this year.

In addition, he also highlights lesser known but veteran painter, Lim Ka Sing on his latest solo exhibition entitled ‘Mother Nature’. Our curators, Faizal Sidik continues with features on selected artworks and artists from the national collection, this time, by the late prominent American Pop artist Robert Rauschenberg, whose paintings in our collection are among our most prized-possession. Realflow plugin for maya 2014 free download.

Faizal, (with T an Hui Koon) also recently attended the 2nd HAO Summit in Singapore and writes about the experience. Lim Ai Woei, who attended the 33rd anniversary celebration and award ceremony of the Malaysian Chinese Culture Association, provides us with a brief background of the association and the night’ s event. Finally, T an Hui Koon sheds some light o n the artist who painted the huge mural at the infamous Pudu Jail which is now being demolished to make way for urban development projects. As always, I look forward to your continuous support, constructive criticisms and helpful suggestions to the positive improvement of our National Art Gallery. Merry Christmas and a Happy New Y ear!